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Troisnyx

397 Audio Reviews

263 w/ Responses

I could imagine this as a video game piece alright -- a city ambience or a title screen theme. I love the instruments you've used here -- you've been imaginative with the instrument combination here.

My only complaint is that apart from the area around 1:07, there isn't much dynamic variation, and some themes would work well with buildup (starting soft, going loud, and then resolving). This piece could also work well as a loop (if you're thinking of ultimately making it a city ambience or a title screen).

I give you my respect -- you are very imaginative, and I like that. For the instrument combination alone, I am putting this into my favourites list.

For just the mere vision that you had in coming up with this piece, you deserve my respect.

Now I can imagine an epic battle song with this melody-- all this needs is an orchestration. Keep this melody, consider this a work in progress, come up with chords that fit it, and remember to build up and have a climax and resolution. Adding strings (marcato or pizzicato) could transform this piece altogether. Alternatively, why not make it a piano-only battle song? Fast piano accompaniment? The possibilities are many, and I like this starting idea that you have because of how far you can actually take it.

The piano by itself is insufficient, I find, because this seems to be playable by one hand for the most part. It seems like only the right hand is working its magic on the keys, but what about the left?

Please, do complete this thing. I would love to hear the final result! :D

Cheers!

EternalGames responds:

Actually this is playable in it's whole with just one hand :D

Seeing your approval I might actually try to make this a whole thing. Some of your ideas seem to be pretty awesome, but actually I wanted to focus more on brass for this one, seeing as I have never tried that before.

The guitar is lovely, the voice is beautiful and pierces right through. The lyrics don't sound forced for the most part (I tend to think them to be forced towards Verse 2, but maybe that's just me).

This was an enjoyable listen! Thank you for sharing. :D

DylanGlow responds:

Hey TroisNyxEtienne,

Thanks a ton for the fantastic review! It will have me totally rethink emotional portrayal when singing! It's something I never really consciously had in my mind.

Thanks a bunch,
~Dylan ^_^

The lower register could serve as VGM in itself, but the higher register sometimes doesn't click. It's like the chords are not going with the melody.

The abrupt stop at 1:23 broke the tension quite a bit. I can see what this can be used for: someone's in a lab examining something, and then at the place where the tension breaks, he looks around to see if anyone is watching him. And then as the music builds up, he finds something which deeply unsettles him.

It's an ominous kind of jarring, an almost scientific kind of jarring. Sometimes the synths can be a bit hard on the ears, but a little bit of volume reduction/mixing might do the trick.

You seem to be more of a film music composer than an ambient song composer, I find. I love those ideas of yours.

My thoughts--

That wind-like sound at around 0:20 was hard on the ears.

I can get an idea of what this could be used for, though this sounds like an actual piece of VGM more than a simple ambient song. Ever heard Palisade Melody from Suikoden IV? This piece actually reminds me of that for the most part: ominous final level music. It would be much better without that jarring noise at the end, but you've successfully reminded me of a Suikoden IV episode with this song.

Hoping this is your intention, I give you my respect.

My only complaint is that this piece is short -- but we've heard a lot of your voice and harmonies in this short sample! Again, I don't know why this was voted down. Don't beat yourself up for this. I reiterate what I said previously -- you've got a good voice. I would love to hear this finished, even though it remains acapella. And if it should remain acapella, let it be -- so long as all of us at NG can hear the best of your voice!

Just so you know, I sing too. : ) So cheers from a fellow singer!

Naua responds:

Lol...Again, Thanx a bunch. I dont know what I would've done if I had no respond to my a capella. And since you're a fellow singer it's nice to finally conversate with someone who knows what I dont. And yeah, Im still working on trying to finish this piece because Im starting over so I could add more verses and vocals. Thanx again

I have no idea why this was voted down -- you were in tune for 90% of the songs, and the reverb is something that I'd normally use in acapella. And so what if you have a terrible mic? Your voice is beautiful, and I hate it when people don't see through that.

Well, this piece is going into my little favourites list. Keep up the good work!

Naua responds:

Thanx a lot. Thats all I really wanted was someone else's point of view. It really helps me get better at what I like to do and I never knew that people would like it so this is good news to me.

The high voice is good, but the lower voices don't match -- it's like the chords are off. D: Really, this could've been a good song -- plus, the original Lion King version was acapella. Get your chords right, and it'll be awesome in no time!

Naua responds:

Dont worry, I wasn't serious in this a capella. I just wanted to have some fun. I can totally do a lot better. Thanx though, I need to know things like this.

Composer, percussionist, artist, self-backing choir.
Half of Two Meeps
Quarter of Those Fucking Snowflakes
For commission or session work inquiries, HMU at mail@troisnyx.co.uk

Annette Walker @Troisnyx

Age 33, she/they

Choir Director

Lancashire, UK

Joined on 6/26/11

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