View Profile Troisnyx

All 293 Audio Reviews

202 w/ Responses

There is something very lounge-y about it. A satisfying kind; you know I am a sucker for good chord progressions and you've done exactly that. It is singable too; I found myself actually almost singing the melody line that has appeared at least twice in this piece. I would happily listen to this toasting the summer goodbye -- it feels like a piece for the twilight in spite of its title.

Well done, Lucid. And just a final note on the sound quality, it didn't sound too choppy to me, or particularly harsh. It felt like a mellow-ish, beautiful thing that you'd play in the living room, which is probably one of my favourite sort of ambiences. So, no worries there. ^_-

LucidShadowDreamer responds:

I can kinda see what you mean with lounge-y, since it's a pretty rhythmic piece, with many "number" chords :)
Since the challenge revolved around chords, I figured it was right for me xD
I love playing around with unconventional progressions, while I try to make them sound nice. It's cool to hear that the composition is singable too!!

I'm glad it doesn't sound choppy. While I added a VST to the MIDI, I tried to soften the worst parts. Thanks for listening, as well as for your input! :D

The intro provided a slightly Metroid-like feel, but I couldn't make out the phone call too well.

When the rhythm kicks in, it does sound quite tight.

Not sure what to make of the piano or the chords; they're fine as a sequence of four bars and do provide a sense of melancholy. I think, it works well with everything else in the background, but just felt a bit too spartan when repeated by itself.

2:20, I am glad you brought a bit of the intro.

2:30, you transitioned well, but maybe my taste is that there ought to be a halfway point, however short in time, between that absolute nothing and then everything coming in.

I have no complaints about the production; everything I pointed out was musicality, I guess.

The title does fit the mood of this piece quite well. It brings to mind someone who has either been snubbed, or fired from an important job, or abused, or in distress and calling the police, arriving at a crossroads, and that phone call bit was probably left ambiguous because you wanted to leave it to us...? It's a good mood piece, but a tad bit repetitive for me.

5TanLey responds:

fair points, definitely still have things to learn

thanks for your words :)

For what it is (and it's hard for me to get into the Madness ambience), it's quite good. The beginning reminded me of a WWE entrance, almost, and the rest was part unsettling and part whimsical, which I assume is what Krinkels was going for when he made those Madness cartoons. I cannot tell what Hank's personality is so it's hard for me to say whether it matches the feel, but I will trust the other users below me when they say it fits him well.

RealFaction responds:

Thanks, this song was made in 2008 believe it or not, though I never really saw it as a great song to be honest, I thought the quality was quite low. I'm surprised it beat the better quality songs back then. Haha WWE? Well then xD lol thanks! Yeah Madness is pretty unsettling. It's like dark comedy though.

Hank's personality was always hard to tell and I've watched them all, but we know he wants to escape and shut down the people who trapped him, so he seems like a good guy. Thanks!

I like that you've got the Sonic-esque synths in the beginning, already nailing out the feel of this piece. The balance is nice, I wouldn't change anything about the mix. As for the actual sounds: a little bit more dist on that guitar? Just a tiddly bit? meep?

The most striking bit is what you've done to the original. You added your own spin. And now, this sounds like something that I could not just headbang to, but something I would happily have as background music to Smash Bros, or something just that awesome. You've varied the feel so much, obviously to avoid being repetitive but in doing so, you've turned it into one of the most enjoyable VGM covers I've come across. I am legit blown away.

Hopefully, this marks a start of how your inner cry for doing originals, for having your voice heard, comes out. Onward and upward!

SSJ3-Goku4567 responds:

When it comes to VGMs as short as this one, I had to add something else to it to make it stand out, so I pulled out all I could in this one! Perhaps a little more distortion could work, but I didn't want to make the guitar sound too overpowering, so I left it the way I did.

I hope this marks the beginning of a new chapter in my musical life, but we'll see where this goes! Thank you for taking the time to look at this mix, and look forward to my next one!

There's a Metroid-like vibe I get from this, and your synths do sound marine, including the percussive ones. I like your choice of instruments; however, docking one star because the balance and reverb seem very much out to me.

The melody, for instance, could use a little wetness to add to the whole marine / ethereal / otherworldly feel that the Windfish has, and then when those other percussive voices come in at 0:52, they can be toned down a little bit to give way to the melody.

1:20 loses its timing, coming in a beat and a bit early, but otherwise, it seems alright.

I'm not quite sure what to make about 3:15, the dissonance that happens there; I think, like with the percussive bits, it can be toned down a little bit, add a volume envelope for effect. Ending is mighty abrupt. Sometimes, letting things reverberate on their own is enough. <3

I gotta say, I love the feel of this thing. I REALLY do. If I were actually inside the Windfish, this is what I would hear, I imagine. Thank you for sharing this with me. Do the necessary tweaks / balance checks and you should be on your way!

Kelpalots responds:

Thank you so much!

I don't know which idiot voted this down because there is something very, VERY video game ambient about this one. Something that sounds at once broken, and adventurous, and desert-like. It brings to mind a journey under the hot sun, where your vision is blurred and all you can see are mirages, but you know your journey is going to be worth it. It engages me so deeply, it reminds me of that hard-wrought journey.

There are many bits here that do relax me -- there's that flute-like sound that you use, not sure if it is an actual flute sample -- but it brings to me an oasis in an otherwise dry, hot land. That, and the piano bits. I would so happily storyboard a journey, with the accompaniment of this piece. It inspires me.

Kelpalots responds:

:D Glad you liked it! I actually did recordings with the piano for all parts, though one repeats a bit obviously. Oh man, the journey for this track is so good to have had! I like to hear what stories come from people when they listen to my music. Thank you so much!

It's musically sound (the theory is there), but the piano is not humanised properly and all the notes are on the same volume. I'll admit, this is a mistake that I started out with, but try to play with individual note volumes from here on out.

It also sounds quite unfinished, so I can't really leave much of a review apart from the above. Were you hoping this to be part of a full song?

Riy0 responds:

Yes. It's unfinished, and it's just FL Studio's crappy piano VST. I wanted to do it for a full song, but I ended up not happening. :( It was supposed to be a duet between a friend and I.

I get a Bowie vibe in places, R.E.M. in others, which makes me want to listen even more. It does bring to mind 80s synth pop. So if there's a lack of humanisation in some of the parts, I suddenly realise 'oh hang on, synthesisers, there's a general feel being created here.'

I love those little sweeping synths, which I can catch better in the beginning and end.

I'm not sure about the main lead vocals in places (especially the verses) -- I don't know whether it's deliberately shaky or not. But the vocals in the chorus "Welcome to my space fantasy" were alright, most of the harmonies were on point. Listening louder, I noticed backing vocals that were otherwise hidden, they sounded like a background choir drone, and I tend to like that nuance that you added.

I am a sucker for nuance and buildup. Pity there were no more verses.

maxxpump responds:

Thank you for you indepth review, I love David Bowie and REM's pretty cool (loosing my religion). I've had a lot of time to practice this song since I composed it and I think I got the vocals to a point that they are not bad at all. A majority of my music comes out with a 80's style flair, I was brought up listening to a lot of 80's artists. While doing this live it does have a second verse which I dropped on the studio version as I didn't want the recording to be to long, kind of was wanting to go for a radio edit as it were. The lack humanisation stems from my love for listening to Gary Numan and I think overall the vocals and orchestration really make this something which sounds very unique.

I probably need to play with the vocal mix a bit more, as some parts are up too loud while some of the backing is too quiet. I'm still going to do a completely remastered version of this for a new album project I am compiling.

But I will look into making a extended version maybe when it gets recorded at one of my upcoming gigs, I'll figure something out!

I am truly glad to have cast you as Newgrounds' own Nene, I REALLY am. I caught this just by chance in my Audio feed, and not only are your expressions impeccable in both languages... your English is impeccable!

I only know a tiny, tiiiiiny bit of Korean so it didn't get me through all of this demo but I presumed that a lot of it had to do with the flow of what it was you were saying at any given point in time, e.g. the student chiding her classmate for dozing off in class. Amazing vocal clarity, at any rate -- and I'm looking forward to having you on board the project when the script is done!

JessieYun responds:

Hi Troisnyx!

Thank you very much for the comment! I'm really glad you enjoyed the performance :D
And me too! I can't wait to get started!

Thoughts through timestamps:

There's a pretty ear-grinding synth which tends to be mitigated by the bass coming in at about 1:30, and then after that, that riser (?) at 1:54, when high, sounds like an air raid siren. Considering the title of your piece, well done.

2:20, nice feel. Nice melody, and nice everything else, if not a bit repetitive. Even at 2:48 I feel the same; it could have been a chance to switch things up, as if 2:20 was a prelude.

3:21 onwards, quite calm and anticipatory. The background instruments sound ever so slightly chaotic, which seems to me that outside of the trance music, it is depicting an emergency situation.

4:15 is REALLY nice. That piano has some nice lows, and that guitar lead is fat as ever. 4:40, when the beat comes in, there's that air raid siren riser again.

5:07 has a different melody altogether, hm. And some nice chord play too. 5:36 again could have been a chance to switch things up; it otherwise sounds almost exactly like the section before it. 6:05 is the same, but a bit more built-up. I love the feel anyway; it's just that the buildup here feels... a bit *too* gradual.

7:00, back with that guitar lead which I love very much. It's a pity that I didn't hear the original melody coming back, the one from 2:-something. A pity also that I didn't hear old and new melodies combined somehow. Because immediately after that guitar lead section comes the wind-down, which I felt a bit sad about; I felt that this song had far more to tell me than it actually did.

I have no complaints about the mixing.

My general thoughts: Nice song. It feels as though the song has far more to tell me, in certain sections where buildup could have changed the course of what you were feeling (texture rather than beat). I wanted a sense of returning to base, sort of, but the only time I got it was with the wind-up and wind-down and guitar leads. A main melody making a comeback would have helped with that feeling better. Otherwise, you chose your textures quite alright, and some of your instruments, I swear, could have sounded like background foley. Keep up the good work.

IPA: /tʁwɑ.niks/ || Singer-songwriter, multi-instrumentalist, visual artist, writer. Member of ARM Circle. Drummer with The Just Numbers.
Speaks in various tones of meeps.

Annette Singh @Troisnyx

28, Female


Lancashire, UK

Joined on 6/26/11

Exp Points:
3,879 / 4,010
Exp Rank:
Vote Power:
6.11 votes
Police Captain
Global Rank:
B/P Bonus:
5y 10m 12d