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I like to think that long intros can make or break a piece. I've listened to a lot of Mike Oldfield to the point that I think a long intro with sufficient buildup could be powerful. That being said, as much as I liked what you did in your intro, it felt weaker and more underdeveloped compared to the power of the rest of your piece. A crash course in Mike Oldfield's Tubular Bells might serve as a good start, and I mean it.

When the rest of the instrumental kicks in at 3:00~, it's powerful. I love your drums. Cymbals feel too short in reverb / decay, so they sound fake. A solid bassline to ground the piece together would be much appreciated here as well. But I love everything you've done here otherwise -- the dissonance is on point, the piano is on point, and I could seriously see it as trailer music.

Those last few notes on the piano came abruptly, I didn't even realise that the piece hadn't ended by that point.

Parts of the instrumental remind me of Ar tonelico 3, specifically Tilia's version of EXEC_HYMME_BATTLESPHERE/. The instrumentation is similar, and gives that JRPG sort of feel to me. The mixing is on point, and I love the sliced up vocals a lot.

My one complaint, for which I'm docking one star, is that the tune of the vocals tends to go all over the place. Only "I can see the future" is memorable to me, along with the intro and the way you used the competition's melody. But ask me to sing this song from memory, I wouldn't be able to.

MrSmash64 responds:

thank you for this review! the vocals make sense to me, but maybe that's because i've made instrumentals my whole musical life and that's just where my head goes, vocalists might have different mindsets though, idk. vocals are very new to me and i'd love to get better with them in the future!

btw i LOVE your work

I have to concur with mrcompston -- powerful fill but very weak snare, pales in comparison to the very powerful kick used here.

1:08 does bring in some downtime and a nice change of chords, which is quite uplifting when it hits the 1:20. Not sure I'm a fan of what's happening at 1:45, just before the riser -- sudden change in feel that felt like emotional whiplash to an otherwise very powerful dance beat.

Ending feels a bit abrupt as well, like pssht! all gone.

That being said though: outside of that, I think it's mixed very well, perhaps even better than a lot of your last work. The kick had the air in my chest vibrating, which I find to be one of the best feelings I could have when listening to a piece of music like this. Onward and upward from here!

ClockbeatAdelony87 responds:

Thanks! :D

The mix is nice, but the melody has faded a bit too much into the background past the intro I guess. It's short, but very decently varied so it kept my interest going all throughout, well done!

The sampled speech and voices certainly do provide for some interesting listening -- where'd you get them from?

I think I'd probably have a bit of a cleaner guitar at the solo at the end for something as groovy as this -- but it's a matter of taste, this one. It just feels too... hard-rock, angry to me I guess, coming from seeing a Telecaster being played aggressively and it having the same kind of sound.

Nice intro -- though I feel as though I'd have appreciated more warning to when all the other instruments kicked in. This piece certainly has quite the 80s vibe.

It's quite decently varied, if not around the same dynamic range nearly all throughout the piece -- I'd have appreciate a bit of loud-soft there. I like the driving feel that this piece has; it kinda feels like A-ha in some places. Ending feels a bit abrupt for my taste.

Right off the bat, I needed to turn the volume down for this -- it's loud. And peaking in places. One look at the waveform and a layperson, my fiancé, was able to tell this -- but I can certainly corroborate from listening.

The song itself is quite speedy, befitting the title. I'd imagine this as some high-speed chase battle taking place along a tunnel where you can go around the inner circumference, or on rails. I love the musical ideas you've got here. Parts of it bring back to mind a DNB theme from Kingdom Hearts II, of all games -- Cloudchasers -- but this one has more of a sense of urgency. Keep up the good work, and all the best!

Hippokopter responds:

Are you saying something can be... TOO loud? What does that mean? xD

Yeah, not only is it peaking in places, that's usually what I'm aiming for! I like to make my stuff as loud as it can be without becoming a disfigured and completely distorted mess, but I can certainly see why it would be too loud. :)

Also, I've never played Kingdom Hearts, I wonder what Cloudchasers sounds like...

*listens to Cloudchasers*

Huh, it does have a similar feel! ♫ The More You Know ♫

The drums seem standard-issue but everything else seems really nice and danceable; the bass in particular is quite nice. I'd noticed that you reharmonised the melody for your chords; it seems quite fitting.

My main complaint is that 1:00 and 1:13 have a huge dynamics difference. When the bass kicks in again it suddenly feels too loud to me. I like the sense of buildup that you have at 1:33. It's a short track, I suppose, and it's decently varied for what it is -- though I'd loved to have seen a few more peaks and valleys, highs and lows. All the best!

To begin with, you can do a lot with just four bars.

I'm kinda not sure what to recommend except perhaps, to understand chords and how they work -- it feels quite jarring, purely on a musical standpoint, like everything feels all over the place. I guess with my lack of better phrases... I just imagine it'd do you a world of good, especially for future pieces.

That intro felt nice, especially for the short background that you provided, about a virus hack. I love the sounds you used here at 1:04 and thereabouts. The wubs in the middle felt a bit too long and drawn-out for my taste.

I think there were some missed opportunities -- you did use some good FX but I kinda felt more could be done with those sections. Frantic typing, error messages, pop-up screen noises... I'm not sure that this is a particularly *bad* virus as well, which kinda makes it lose its bite a little; parts of it felt relaxing, a bit too relaxing perhaps.

TodukenMusic responds:

Thanks for your opinion. And yes, I should have added that type of FX

First of all, the bass work is ace! The feel that this gives is probably a cross between Daft Punk and some johnfn's chiptunes (dreaming of robots in space, I believe that's what the title is, is what it brought to mind). I love the lead at 0:40, AND the key change at 1:09 and 2:22!

There's a general 80s vibe about this one, but also something that reminds me of arcade games at 1:40 onwards. It was, in my mind, a nice experience, something to semi-chill out to but also something to pump up to, say, after a long day. Section arrangement felt a bit weird to me -- very different intro, A, A2, very different B, A2, A, and so I did feel a bit disjointed after hearing it -- but nothing musically out of order, and nothing production-wise, at least to my ears. Keep up the good work, and all the best!

ChronoNomad responds:

Well hello there, Troisnyx! A pleasure to see your thoughts make an appearance here, to be sure. Apologies that it's taken me the better part of two days to write up a response, but I'm here to set that to rights. Without further ado...allons-y!

I'm seeing lots of high praise for the bass work I put into this track, so I guess I must have done something right in this crazy remix contest. And yeah, I'm also particularly fond of those key changes, especially the first one with the drop and subsequent build-up. Very proud of those bits and bobs. And to hear that it sounds like a cross between Daft Punk and johnfn (aka Grant) is very high praise, indeed!

The feel was meant to be a funky Chiptune groove with a bit of 80's Synthwave thrown in, so I guess I managed to hit that particular vibe, too. So bonus! I do enjoy breaking down conventional walls once in a while, and this track took a few bizarre twists and turns even for me. But hey, that's just how it is: sometimes you write the music, and sometimes it writes itself. C'est la vie.

Hey, it's a decidedly weird ride at times, but suffice to say I'm really glad to hear that it somehow remains thoroughly enjoyable. Many thanks once again for leaving such a lovely review, and - as always - I wish you the very best in all you do!

IPA: /tʁwɑ.niks/ || Singer-songwriter, multi-instrumentalist, visual artist, writer. Member of ARM Circle. Drummer with The Just Numbers.
Speaks in various tones of meeps.

Annette Singh @Troisnyx

28, Female


Lancashire, UK

Joined on 6/26/11

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